Regardless of how long you’ve been writing, or how successful you’ve been in your literary career, you have more to learn. This series of essays is dedicated to that proposition. Each is a boiled-down observation on some element of the craft I’ve been trying to master for more than fifty years. I offer these thoughts to my colleagues and welcome your lessons in return.
Write Away Essays:
Fiction agnostics—readers who consume only non-fiction—tend to be unaware of how profoundly flights of imaginative fancy, have enriched their language and illuminated their lives. by David Benjamin “A robot may not injure a human being or, through inaction, allow a human being to come to harm. A robot must obey orders given it by……
Read More...Every writer’s cast of characters is finite. The sources of those characters begin in the many facets of the writer’s own self. The astute reader can often perceive the recurrence of character from story to story and appreciate the writer’s skill in drawing variation from repetition. by David Benjamin Sometimes, a recurring character can recur……
Read More...One of the ego boosts that an author enjoys is being deemed an “expert” on topics included in his or her stories. With most writers, who are by nature promiscuous of ideas, expertise is an illusion. (The image is my Paris-based novel, Skulduggery in the Latin Quarter. The art is by my wife, Junko Yoshida.)……
Read More...There is a line where writing somehow crosses over and becomes “art.” No writer in the world knows where that line is, and no sane writer makes it his or her mission in life to get there and cross over. Better to just do one’s very best to entertain the reader. by David Benjamin……
Read More...Some misguided souls refuse to read fiction, explaining—when I ask—that they want to learn stuff, as though there is nothing to learn in Aeschylus, Shakespeare and James A. Michener. The truth is that every storyteller begins with a ton of homework, lest his or her readers refuse to suspend disbelief. by David Benjamin Even the……
Read More...by David Benjamin Any time a writer decides to toy with time, to alter chronology as a narrative device, the risk is reader confusion. The writer also risks blowback for historical mistakes or by trips to the future that strain credibility. The temptation for time-travel must be executed with originality and bolstered by research. ……
Read More...by David Benjamin As I blunder through the first dozen chapters of a new novel, called Cheat, I can’t help reflect on the crisis of confidence affects every novelist, no matter how experienced, at the beginning—and in the middle—of every project. Even for a veteran author, beginning a novel is a daunting prospect. Continuing……
Read More...by David Benjamin One of the secrets to writing fluid prose is to be educated in the meter, rhythms, discipline and wordplay of great poems. For a writer, the consequence of not appreciating the poetry of prose is to hit the sort of sour note that turns off the reader. For three years in……
Read More...by David Benjamin Since its beginning, literature has been hounded by bluenoses with blue pencils, trying to excise words and ideas offensive to the current legions of decency and orthodoxy. Every writer, sooner or later, has to decide a response to the relentless force of censorship. Last year, prior to the official “launch” event……
Read More...“Housekeeping” isn’t just a matter of dusting windowsills and vacuuming the carpet. For an author, it’s an obligation, to protect readers from getting lost in the midst of a narrative full of characters, details and shifting locations. by David Benjamin My mother didn’t have time for housework. After forsaking an ill-fated teenage marriage, Mom……
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